Exhibitions

The art of Clemens Tremmel follows the trace of the thing to be watched. To that end, he has built traps for the eye into his painting from the outset. Early works have rectangular windows, are covered and nailed shut…

When we take a closer look at his work, what catches our attention is a collar, an ear, the opulent drapery of an ordinary contemporary textile or a slightly mannered hand. Hans Aichinger's usually youthful…

REITER galleries is proud to present »house of bone body of stone«, a solo exhibition by Dan Stockholm, his first in our Leipzig gallery. Fascinated by places and architecture with an innate historical significance…

Carsten Goering’s works are full of movement. Derived from the traditional painting process - colour pigment on ground - their effect unfolds along with the movement of the viewer. This means not only in the…

For the f/stop Photography Festival we present an exhibition of photographic projects that deal with the medium itself. With very different approaches of photographic truth and creative manipulation, all three artists…

Stolle’s works are hybrid creations explored through different artistic means with quite a graphic, sculptural but also painterly quality. Stolle’s optical raw material is apparently a binary combination of black…

Legends and photography – both tell of something from the past and contain a truth worth protecting and preserving. A photograph is an image that was created hours, days, or even centuries ago. The event that it…

Sebastian Schrader's works are firmly set in the „in-between“ transition. This in-between phase is thematic as well as being the core style of the artist's trademark. The figures are captured in the before…

Sümer Sayın mainly works with objects and installations. She is interested in how we perceive the world and to what extent we create alternative realities. In the passage between these two territories, she addresses…

»The Trope's Trap« can be described as an endless search for a picture’s meaning, relevance and reference. The first trope is the perspective of the image creator. Nobody has control over the next one.…

Claus Georg Stabe questions our ability to perceive and interpret pictorial reality. In his drawings, he radically reduces the line to its most basic form, while also expanding it enormously, building it into its own…